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Prestigioasa revista germana metal.de a facut un review albumului Voievozii.
O gasiti aici

O traducere aproximativa, facuta cu babelfish.yahoo.com, pentru cei ca mine care nu stiti germana:

"The marvelous to many Romanian volume is, which the texts, which come from deepest heart, in the national language are sung, which could disadvantage however some people, which are not powerful the Romanian language, something. But an album over the history of Romania unfolded only so an authentic and above all close atmosphere. The Romanian spoken Lyrics on " can; Voievozii" (too German: Army leaders and/or princes) in view of their urgent suppleness convince without reservation, even if one does not understand the texts, because the partial loud-pictorial spoken singing lines fit outstanding the musical total concept.
NEGURA BUNGET not dissimilarly bring up for discussion the boys and the girl of BUCIUM among other things the heidnische and pre-Christian cultural history of the own country both text and in music and dedicate themselves to primarily Romanian history, legends, narrations and myths. The emphasis is thereby on the strong musical conversion of contents, however as with NEGURA BUNGET to the Black Metal cannot which be assigned, but due to the clearly structured melody guidance and the Clean Vocals in the Folk Metal is resident and so that also is most warmly to the heart put to all Middle Ages friends.
Atmospheric key board sounds and a spoken (longer) quotation make the tendencyful prelude of Neagoe Basarab, before after something over one minute first guitar reef and also play the violin, which hold, use a key function with the Romanians and reveal almost a title TRACK which can be called episch, which flows into a folkloristische omittingness. Neagoe Basarab, prince of the Wallachei from 1512 to 1521, wrote by the way one of the earliest and also most important works of Romanian literature, " mentioned; Invataturile lui Neagoe Basarab catre fiul sow Teodosie" (too German: " The teachings of Neagoe Basarab to its son Theodosie"), in which he expresses himself to topics such as philosophy, diplomacy, moral and ethics. From exactly this work that of entrance originates mentioned quotation. With guitar reef, wuchtigen double bass Drums and for BUCIUM the typical skirt-end play the violin describe the second song " Basarabii" the roots of the powerful sex of the Basarab, from which late Neagoe Basarab climbed, during " Sorbul Apelor" - suitably to the lyric context - of warriors, who refresh themselves before an important fight against again and again the Ottoman realm breaking in the country with the water of the Danube and believed so strengthened to the victory in the fight, in things speed again strongly adds, in order to the end of the song with double bass Drums, guitars and plays the violin themselves to duellieren. Madly!
Only with the following three of song the speed is throttled again somewhat and works themselves with " Maria Doamna (Raresoaia) " - a beautiful hymn to the wife of Stefan cel Mare (Stefan the large one), the prince of Moldau (Stefan cel Mare belonged beside Mircea cel to Batran, Iancu de Hunedoara and Michael the courageous one to the most important rulers of the forerunner states today's Romania, those today Romanian nationality is attributed.) - to the actual highlight of the album: " Zalmoxe". This of elegischen playing the violin and bass melodies dominated song dedicates itself thematically to the historical figure of the Zalmoxe, which was a divinity and/or a religious leader under the rule of the king Burebista, which created the first centralized State of Dakien, which consisted to a large extent of the area of today's Romania and Moldavia before 2,000 years. The song in dramatic-dragging along manners is driven in music and gesanglich marvelously stimmig and deeply affecting on the point, so that with me more than once the body in Genußkribbeln ripples itself/crinkles and chicken skins the backs run up and down. The crowning conclusion forms over fühnzehn minütige Epos " Rovine 1394" , in which the battle is told around Rovine in the year 1394, in the Mircea cel Batran with an army of 10.000 men struck an Ottoman invasion of 40.000 men victoriously and destroying. The gallopierende rhythm describes for the center of the song the attack waves up to atmospheric satisfying, in which only play the violin, the guitar and the bass to hear is, in order to increase for the end of the song with co-ordinated combat shouting of an army again to the final attack impressively.
BUCIUM " with; Voievozii" an impressing debut delivered, which contentwise very stimmig in scene was set and with a full production - the album was gemastert by the way in Franky Winkelmanns (GURD) Little Creek studio - drags along and completely convinced."

Am primit 8/10 puncte.